Thursday, September 19, 2013
Elizabeth Gilbert
http://www.nytimes.com/2013/09/22/magazine/eat-pray-love-get-rich-write-a-novel-no-one-expects.html?smid=pl-share
Hi All,
I've shared a link above to an article on Elizabeth Gilbert that I think is interesting given the the conversations we've had in class. Gilbert is best known for her book Eat, Pray, Love, a book I confess I snarkily dismissed in a George Eliot kind of way when the spotlight (and Oprah clamor) was at its highest intensity. I still have not read it, but this article made me at least examine my assumptions about its author and her writing/literary/intellectual skills as well as my own limitations and prejudices as a reader, scholar, and feminist. As the article notes: "Despite having spent the first decade of her career writing three critically acclaimed books, critics cast her as a pampered solipsist peddling self-help. “Even worse — chick lit, if you really want to get ghetto,” Gilbert says. “What little respect I clawed my way to, I totally erased.” I think this article provides an intriguing look into the life of a contemporary woman writer who has found fame/money writing in a genre that can often be belittled as a "womanly" genre of self-help/empowerment/naval-gazing privileged "finding-of-oneself" despite her background as a skilled writer and ambitious career-woman. She addresses this in the article with considerable grace. She has also become a powerful patron to other women artists (think of the questions raised by Woolf in A Room of One's Own). Admittedly, it is a long article, but I think it provides an excellent contemporary example of some of discussions that arose from our Reading Of Eliot's "Silly Novels..."
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The quote from this article, "Gilbert herself has no patience for those who subscribe to the myth that misery and madness enhance creativity" caught my attention. It's interesting how in class we have mentioned multiple times about various authors how their pain and struggle gave them writing material and a drive to express themselves. It seems like Elizabeth Gilbert is an example of the complete opposite and someone who managed to change my opinion about creativity. I don't believe that art comes from pain or suffering, I believe that it comes from being present and observant in your daily life. If you're able to take something small and at first insignificant and make it mean something to someone, then you truly are an artist.
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